In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...

It is exceedingly rare to have a major Hollywood film take architecture as its central ... Coppola’s Megalopolis and Brady Corbet’s The Brutalist are wildly different in tone and tenor ...

“Brutalist architecture is representative of something that people do not understand and that they want torn down and ripped away,” he said. “So, the film is about how post-war psychology ...

In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...