The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."

The writer-director tells IndieWire how his reinvention of a Universal horror icon reflected his own fears and anxieties during the pandemic.

Leigh Whannell’s Wolf Man manages to strip the genre of its last shreds of dignity, replacing suspense with an onslaught of gore and nonsense.

This weekend sees the latest in a new generation of “Universal Monster” movies with Wolf Man. Director Leigh Whannell previously struck gold with his adaptation of The Invisible Man and while his new film isn’t receiving quite the response from critics,

Julia Garner says Leigh Whannell made 'Wolf Man' a bit 'scarier' because he keeps the character 'familiar' before making him a monster.

Leigh Whannell talks to us about modernising Wolf Man for today's audiences, the success of his previous film The Invisible Man and whether he'll be making any other Wolf Man movies.

The filmmaker reveals the movies he screened for the Universal Monsters rebooters, discusses the importance of practical effects, and whether Bigfoot could be a Wolfman.

The 2025 movie calendar is off to a slow start, with many late 2024 releases still dominating the box office. Leigh Whannell’s horror film Wolf Man hopes to join Den of Thieves 2: Pantera at the top of the weekend’s box office when it opens on January 17th, but judging by the mixed reviews from critics, it’s unclear how likely that’ll be.

Leigh Whannell sits down with Collider's Perri Nemiroff to discuss making 2025's Wolf Man.

Wolf Man director Leigh Whannell has addressed his decision to move on from The Invisible Man sequel, The Invisible Woman, and opens up on why Ryan Gosling didn't star in his latest monster

Wolf Man should win this weekend's box office. Maybe we should give Leigh Whannell a huge budget and let him make whatever he wants?

The filmmaker responsible for the new iteration of Wolf Man opened up about the character's transformations and where the idea came from.