Melancholy (Munch) - Wikipedia
Melancholy (Norwegian: Melankoli; also known as Jappe on the Beach, Jealousy or Evening) is a painting by the Norwegian artist Edvard Munch. Munch painted multiple variant versions of the expressionist work in oil on canvas during the period 1891–1893.
Melancholy, 1894 by Edvard Munch
In the distance the figures of a man and a woman, Christian and Oda Krohg, are about to embark on a boat, bound for an island where they will make love. Nilssen is painted in the manner of the Pont-Aven school, in heavy inflexible contours.
Melancholy by Edvard Munch - The History of Art
Oct 14, 2023 · Melancholia was also a subject captured by Albrecht Durer many centuries earlier. Learn more about Edvard Munch's Melancholy painting and buy art prints online.
Munch and melancholy - Munchmuseet
In Melancholy (1900–01), one of the paintings on display in Edvard Munch Infinite, we see a young woman sitting indoors. The room appears bright and warm, but the woman has a heavy blanket wrapped around her body.
Evening. Melancholy I - Edvard Munch — Google Arts & Culture
In the painting Melancholy from 1891-92, Munch formulated for the first time the simplified, symbolic style which was to characterise his art in the 1990s.
Famous Sad Paintings – The World’s Most Emotional Artworks
Nov 4, 2022 · The most famous sad painting in the world is Melancholy (1891), which was created by Edvard Munch. The artwork is considered a sad painting due to its different variations of the theme of sadness and melancholy.
Top 15 Famous Sad Paintings – Artworks that Convey Emotions - Art …
Aug 6, 2023 · La Mélancolie – Louis-Jean-François Lagrenée. La Mélancolie by Louis-Jean-François Lagrenée is a captivating personification of melancholy. An angelic figure contemplates with a gaze heavy with introspection, embodying the emotional weight of sadness and the depths of human thought.
Edvard Munch, Melancholy – Nasjonalmuseet – Collection
His head and his drooping shoulders stand out distinctly against the pale beach, a shape that is reiterated in the large boulders. The colours, primarily melancholy shades of blue, are softened by the summer night. Here we see a clear symbolist tendency in the simplification and stylisation of form and colours.
Edvard Munch. Evening. Melancholy I (Aften. Melankoli I).
Edvard Munch Evening. Melancholy I (Aften. Melankoli I) 1896. Not on view. “Wood is something that is alive,” Munch stated, and he saw the material as a source of primal energies to be released through carving.
Melancholy | The Art Institute of Chicago
Melancholy, 1894/96. Oil on canvas 81 x 100.5 cm (31 7/8 x 39 5/8 in.) The Rasmus Meyer Collection, The Bergen Art Museum, RMS.M.249. Woll 376